A lot has
been said and written about Leslee Udwin’s documentary India’s Daughter
which drew both flak and admiration from different quarters in India. The documentary is based on the 2012 Delhi gang rape that killed Jyoti
Singh Pandey, a young medical student. She was not only repeatedly raped but
was also brutally attacked to the point where her intestine was ruthlessly pulled
out of her body. She died a few days later. This bone chilling act sent shock
waves across the Indian capital with thousands of people taking to the street demanding
justice. Of the six accused, one killed himself in his prison cell, four were sentenced
to death and one- a juvenile of 17 was given a three-year-imprisonment.
The massive
protest that erupted in the aftermath opened a much needed debate on the
existing situation of violence against women in the Indian subcontinent. Opinion
articles inundated print media. News channels aired debates on women’s security
in the country. India’s Daughter is one such attempt to contribute to
the ongoing discussion on protecting women from violence. However, the film was
caught in controversy and was banned on March 4 before its slated release on
March 8 on the occasion of International Women’s Day.
A major
objection to the film is the platform given to Mukesh Singh- one of the
perpetrators- whose remorseless admission of the crime was shocking to many. Even
more shocking were the misogynistic statements issued by his defense lawyer, blaming
the victim for the tragedy. Many in favor of the ban have opined that
amplifying such detestable attitudes could be counter-intentional leaving women
to fear for their safety. Some have criticized the film for portraying Indian
men in negative light, while some have questioned the motive behind the making
of the film without hesitating to call it voyeuristic journalism.
At the same
time, many prominent public figures have openly condemned the ban. Blocking the
documentary without letting the public decide whether it was worthwhile was considered
to be undemocratic by many. They were of the view that the movie (which was
available on youtube, despite the ban) mirrored the patriarchal mindset that perpetuated
such heinous crimes and that airing it would force people to reflect on their own
attitude towards women.
My take
on the ban
I have watched the documentary and am
personally of the opinion that the ban was uncalled for. If the views of the
rapist and his lawyers were unsettling, so be it. Instead of wishing evil away,
it would do well to confront it. Bring it to debate. Talk about it. Shame those
people who hold such views. Change societal perception around women’s
sexuality, rape and victimhood.
The good
thing about the movie is the name it has given to Nirbhaya. I was never comfortable with this pseudonym used to protect Jyoti's identity. To me it was a
reinforcement of the culture of shame associated with rape. It is absurd that
the victim who has done nothing wrong should be the one losing honor and not
the rapist. Disclosing her identity is a tribute to the courage she
demonstrated, the fight she put up.
The film has not
only given name to the victim but has also told her side of the story, through the ones most
affected by her death. Jyoti’s parents, despite coming from lower middle class
background did not discriminate against her for being a girl. Instead they were
determined to educate their daughter and give her the best life they could
afford. They did not impose curfews or restrict her choice of friends. They
treated her as any Indian parent would treat their son. Isn’t this a
manifestation of the progressive mindset that is slowly taking over Indian
society? This is something India needs to be proud of.
I am convinced
that the likes of Mukesh do not represent the progressive society that India is
emerging to be. There are many like Jyoti's parents who are breaking away from traditional norms of raising girls. Therefore the film must be allowed to air. If only to break negative
stereotypes of Indian society abound in our collective consciousness.
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